![]() His journey into sound production began at the young age of 16, where he initially produced music that went on to feature on local television. Stefan is a highly proficient sound professional who specializes in sound for picture. As always, consider sharing this post with a friend or two. You’ll be one of the first to have access and you’ll receive weekly updates on new content we release. I’m actually working a free-course on mixing and mastering an entire drum kit. If you’ve enjoyed this tutorial and would like to experience more content like this, I encourage you to sign-up to my weekly newsletter. It’s not as complcated as you thought it’d be, right? If you have any questions or concerns, feel free to post them in the comments section and I’ll get back to you shortly! I hope you’ve found the knowledge you were looking for in this tutorial. That’s okay! I encourage you to experiment and find the sound you hear in your head. There’s no other way!Īs you develop your ears and your style, you may begin to deviate from the compressor settings for snare I’ve shared today. As you add more tracks, the so-called tunnel becomes narrower and narrower.Įach instrument will inevitably begin to compete with one another, so we must use compression. We’re simply reducing the dynamic range of your snare so we can “squeeze” all its elements into the mix. Once you understand and hear how these parameters affect your snare in the mix, it’ll become second-nature. However, Logic Pro X’s compressor does have some extra features (it’s like the swiss-army knife of compressors). It’s better to use this rather than boosting your channel’s volume fader past unity gain.Ĭompressor settings for snare using your DAW’s stock plug-insīesides the use of Vulf Compressor, you can clearly see that your DAW’s stock compressor plug-in will do the trick.
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